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Wednesday, October 29, 2014

The Fall of Wendy: a short story dedicated to turning 40


NOTE: THIS WAS WRITTEN IN THE FALL OF 2010 AS A 40TH BDAY PRESENT TO MY FRIEND SHAWNA.  PUBLISHED FOR THE FIRST TIME ON THE DAY OF HER 44TH BIRTHDAY...

PARIS, CAFE MARLY: OCTOBER 2010

The Fall of Wendy

The film showed Wendy, handcuffed, falling into the unknown.  Her eyes wide with fear as the pirates sent her to her death.  Her back was to us as we watched her fall into darkness - a darkness with no end.

As a friend of a 40 year old and not quite 40 myself, I can only imagine what turning 40 feels like, but I expect it’s a lot like when Wendy stepped off the plank of that pirate ship.  Scary, but perhaps beautiful if you land in the world of the mermaids…

And so we fell into the 40th birthday celebration.  Both lovers of Hemingway, Shawna and I began our journey at his frequented spot Le Deux Maggots.  There were indeed 2 of us on this fall, and we started with 2 champagnes.  French salads are always my favorite for lunch.  I love the jambon and the rich cheese under the tart mustard dressing.  Of course, Shawna’s croque monsieur looked pretty good too, but really anything on the menu would have hit the spot after the ten and a half hour plane ride from LA to Paris.  When best friends get together after spending months of even rarely talking, much less seeing one another, there is a lot to catch up on.  And, I’m sure we entertained the people in the restaurant, though I believe that Hem himself would have been proud of the escapades we shared with one another. 

Back at the hotel, we unpacked our suitcases and oohed and aahed over our goods that we had brought.  Once unpacked and hung, our clothes in the closet resembled something in a small designer boutique, well edited and hefty price tags.  Four nights in Paris – that should do it.

Our first night in Paris began with a performance of the Merce Cunningham Dance Company at Theatre de la Ville.  As a member of the Board of Directors and past employee of the organization, I am enamored with Merce and his work.  Merce’s work is definitely not for the faint of heart – or the unenlightened.  Shawna is a good friend to be dragged to performance after performance.  We came to the theater completely dolled up in our closet finest.  Dresses, heels, fur and feathers: we made quite an entrance filled with a more casual, more French audience.  I kept thinking to myself ‘I’m a Board member, I can do whatever I want’.  I believe Shawna was thinking, ‘They are all jealous…’

After the performance, we walked our heels, fur and feathers down the road to what was supposedly a fun and lively kind of restaurant with dancing into the night.  We entered the doors to a sleepy, dark place that was no longer serving food.  Drat.  Shawna can live on 500 calories a day, but this more rounder version of herself cannot.  Off we went to the Four Seasons bar, where I knew we could at least get some eats and most certainly some drinks.  We ended the night drinking champagne and smoking cigarettes on our tres French balcon.  

Now, the last time a French person blow-dried my hair (this was last summer, and I was, to be honest, 3 champagnes in), I came out with a haircut shorter than my son’s hair.  But, as I truly hate to blow-dry my own hair for reasons that are too countless to list, I tried again.  This time at a beautiful coiffure near our hotel.  My paltry French at least had gotten me to the sink for a wash and to the chair for the blow-dry.  Pretending to know everything my stylist was saying, I nodded my head and said “oui” as many times as I could.  (This is similar to the before mentioned incident…)  I came out smiling and looking better than when I came in, so it was a positive experience.  I had told Shawna to meet me on a corner, and around the corner she came.  Very tall boots, a very short dress and a monster fox collar adorned the blonde with the oversized glasses.  I myself was rather prim in black trousers, a pearl encrusted collar over a tight black sweater and a wrap. I did, in my defense, have a Board meeting that afternoon. But, for now the second time, we still enlisted stares and audible gasps from people on the street. Does no one wear heels in this town anymore?  Didn’t the French invent the stiletto?

As we were beyond late for our lunch that I had scheduled on the meticulous agenda, we opted for the chic, see and be seen spot, Café Marly.  And after the most hazardous cobblestone walk to get there, we found ourselves seated under heaters on the veranda facing the Louvre Pyramid, where I am sure the 666 glass panes represented the number of stares we would be receiving over the weekend.  More champagne and food, we sat in astonishment that we were actually together in this beautiful place.  Not too bad for two blondes from Georgia and Texas.

The evening found us dining in an uber-stylish hotel restaurant, Hotel du Costes.  Having been to Costes before, I was sure that this time we would fit right in with our ensembles.  On the more conservative side, I was in a black strapless dress and wrap – albeit the shoes were one of my more adventurous pair: very high strappy patent numbers with 3 Aztecan looking discs that reached up my ankle ending in a feather spray of organza.  Shawna was without a doubt on the more daring side: a pink see-through organza top paired with a black pencil skirt with slits here and there.  The piece de resistance would be the black bra that shown through the blouse.

After a relatively uneventful dinner, we entered a taxi and ordered to go to another supposedly hip and happening kind of bar, one that would suit the needs of girls dressed as such.  We came upon the bar only to find yet another dark and empty spot.  “Non non non.  Nous allons un endroit different!”  The driver barked back, “Get out!” in French, of course.   After a little begging and outright refusing to get out of the taxi – we were giving squatters a new meaning – we were dropped off at a “Grand Rue”, a place where I apparently thought that 1)made sense, and 2) would be helpful.  I turned out to be right, and we found a new taxi line to enter.  

Now, taxi lines are a new experience for these 2 New Yorker/Southern girls.  Normally, we would fight our way to the first taxi seen. We realized quickly that we needed to queue, so we walked past a long line of gentlemen who were obviously going home after having a few cocktails after a day of work.  And yes, our clothes could have walked a runway, but it was dark after all and isn’t Paris the epicenter of fashion?  No reason for anyone to actually turn around, with hand on hip, and stare with a face full of disbelief, confusion and a little mischief.  I couldn’t help myself after having a few glasses of wine at dinner.  I struck the exact same pose back at him, declaring my independence of his buttoned-up ways.  Giggling inconsolably, we started to notice that a flock of men were all passing the taxi line and heading across the street.  Now, it has yet to be stated that Shawna is single, and remember, celebrating her 40th Birthday.  Anyone is entitled to a real French Kiss at that point, right?  Needless to say, we took off, past the men in the taxi line, including the hand on hip gawker, and began to follow two men who had just passed.

Where could they all possibly be going?  It must be fun, wherever it was. (I could almost hear the beating of the Indian drums in Neverland)  And then…  A Metro Stand.  They were headed to the subway.  

Now, any story about Wendy needs a Peter Pan, and in this one there are several.  Not knowing it was Peter, I called out to the taller of the two men.  “Can you tell us where a fun bar is?”  I had completely forgotten any French at this point.  I was on a mission for my friend.  “Bar? You want to go to a bar?’  “Paris, you love Paris?”  Yeah yeah yeah.  Get on with it – show us to a bar!  After a little confusion of whether they were invited to escort us to this bar, we took off, the four of us, to our first destination in Neverland.  

Enter bar.  Imagine yourself on a foreign planet, where everyone looks completely different than you and is mostly comprised of the opposite sex.  Okay.  This was fun.  There was music, and definitely a crowd.  There was also a sticky floor, limited wine selection: red or white, and bathrooms that I would never frequent.  And also imagine that sound when the record gets scratched and the music goes to complete silence.  We walked towards the bar.  First off, wine!  Next, seats!  As the wing man, I am obligated to chit chat with the unfortunate looking friend of the man who Shawna is interested in.  I decide that this is actually a very fun task, and I take on the role of an anthropologist on assignment.  “Who are these French men and what do they do in life?”  

The evening was a success in terms of the real French Kiss for Shawna.  My anthropological studies would have to continue the next night.  

Oh, good cheap French wine.  You’re just as nagging as bad cheap California wine.  Our next morning was a little slow, but we had an event on the agenda that was not to be missed. I had arranged through a contact at home to surprise Shawna with a private tour of the Champs-Elysees Louis Vuitton.  Now, neither of us are in love with the monogram bags, but the Marc Jacobs collection is always something to behold, and shoes are always an option.  We arrive at the store, re-designed by architects Eric Carlson and Peter Morino, to meet our host, Remi.  This adorable French-Japanese man led us through the store pointing out areas of architectural interest, and of course, the latest styles of handbags, clothing and shoes.  We sipped champagne and tried on shoes, sighed at the furs and dreamed of a life where we packed in big steamer trunks for long trips abroad.

But the Espace Culturel on the 7th floor was most definitely the highlight of the tour, and for me, the highlight of the trip.  This is an exhibition space created for the sole purpose of showing works of art throughout the year.  This fall the exhibit is “Qui-et tu Peter?”, featuring the works of many artists and their interpretations of Peter Pan. In order to get to the 7th floor, you must take a black-out elevator with black soft cushioned walls and absolutely no light.  The concept is that you are taken out of the world of luxury and reality and transported to a world of beauty and light.  Slightly claustrophobic mixed with an irrational fear of going blind (like Mary did in Little House on the Prairie), my palms began to sweat.  I entered the elevator and held Shawna’s hand.  It was a strange sensation to have no light at all.  No sense of where you are exactly.  We were suspended in nothingness.

The doors opened to a fluorescent sign which read “VOUS NE MOURREZ JAMAIS”, You will never die.  We followed through photography of modern day pirates comprised of finance, money and the military; a film of an artist’s interpretation of Wendy’s step off the plank; and into the world of Peter.  Sculpture, video, painting, interactive – all mediums were represented.  We both felt as if we had been placed somewhere else, lost through the maze of art. An endearing and beautiful French girl guided us around and explained the art perfectly, leaving just enough to your own imagination.  The end of the exhibit brought us back to the You will never die sign.  Tears abridged and shortness of breath overwhelmed me.  A walk around the deck of the 7th floor, something not many are allowed to do, provided the air we both needed to collect our senses and thoughts of returning to reality.

We continued our day walking to Avenue Montaigne to the most wonderful and delightful boutique in the world, Nina Ricci.  I had seen the collection in a magazine, so I was very excited to see it in person.  It exceeded any expectations, and, yet again, I was taken back to Neverland.  A land of organza ruffles and delicate lace.  A land of purple satin and pink velvet.  All the things that little girls are made of.  

That evening we found ourselves arguing with our taxi driver about the restaurant we had chosen for dining.  He was not at all impressed with our choice, “in the 10th” of all places, seemed to be his attitude.  After finally agreeing to take us to this little restaurant in a historic hotel on the canal, we arrive to find a crowded, candle-lit place with a very swarthy, rugged bartender with eyes that most likely break hearts every day.  Wine, food and a cigarette later, Shawna now finds her second real French Kiss with the bartender.  Again, I was busy chatting with the bartender’s friend about the small structure on the canal: apparently they once had a triage of sorts to save people who had fallen in the canal.  Or, at least, that was my translation of the story.  Who knows?  It could have been where they kept chickens for the night’s dinner.  

We decided we should go back to the bar from the previous night, where Shawna could meet up with her Peter.  We arrived to a packed bar where the girls were wearing bunny ears and the boys a straw hat.  Hmmmm?  I was wearing a silk dress with feathers on the bottom and Shawna wore a black jumpsuit and fur shawl.  There go the looks again.  And I’m not quite sure that the ladies in the joint were happy to see us at all.  I keep thinking about the joke that I’ve never heard in its entirety, “two blondes walk into a bar”… Shawna enjoyed her new found love while I danced alone to 80s music amongst a group of drunk men and slightly unhappy women. I may have had one of the best times there, dancing alone, enjoying the music and the local vibe.  I find myself alone a lot these days, but this was a different solitude.  One where I went back to being a child and in my own world.

The last full day?  How could this be?  We had just arrived.  Another late start, we deviated from the agenda again and went swiftly through the day.  A visit to Colette, the most well-edited boutique in the world, got our spirits up as we soaked in the beauty of the mannequins and their well put together, very European styles.  Shawna vetoed all of my choices that I tried on, while she went on to purchase a slinky long black dress with long sleeves.  The print was a white batik resembling a skeleton of sorts.  Only a girl 5’8” and not an ounce of fat can pull this dress off, and Shawna definitely pulled it off.  A quick lunch and another trip to Nina Ricci (it is truly that good) and we found ourselves at our second Hemingway haunt: Closure des Lilas.  We met up with Shawna’s Peter and his friend.  We sat outside under the tent – I am sure that I was the only one to have drops of rain tick tock on my trench coat.  We enjoyed a couple of cocktails and laughed at stories from the previous evenings at our now beloved bar.  It was here that I learned how the French use the saying “a third wheel”.  It is “tenir la chandelle” – to hold the candle.  Apparently it is a Medieval phrase, and maybe Biblical, describing how a servant would hold the candle for the romantic couple leading them to their honeymoon room.  From that moment on I became The Candle, La Chandelle.  I actually didn’t get the holding part in translation, I only heard candle.  So my own saying is now “I am the Candle”.

After a quick change into my leather dress, new Nina Ricci shoes (impossible platforms in crushed raspberry colored velvet) and mink vest, we were off with Peter for dinner.  Shawna donned her new skeleton dress.  Definitely feeling like a Candle, I joined Shawna and Peter as the three of us ate and made attempts at translating our conversation on politics.  I started to see the next line of the joke: “two blondes walk into a bar and start talking politics with a Frenchman…”.  Though the food was lovely, the atmosphere was lacking 1) people and 2) the joie de vivre of a last night in Paris that we were searching for.  We left the restaurant.

Off we went, past the open mouths and wide eyes staring at the skeleton and the girl on raspberry stilts.

Weighing our options, we decided to brave Costes again.  Certainly there would be a fun crowd on Saturday night. There, finally, we entered a bar where no one stared at us.  We have come home.  

The bar is packed at least four rows thick with beautiful people sipping wine and martinis, all watching the bartender intermittently light the bar on fire, flambé style.  Shawna’s Peter seemed to be fading a little, unaffected by the pixie dust that both Shawna and I were sprinkling from the tips of our eyelashes due to the glitter-dusted eye shadow that we were both wearing.  “He has to go,” Shawna said quietly.  Oh no.  Please don’t make me be a part of this.  I don’t think my weak heart could take the breaking of Peter’s.  He had become quite taken with Shawna, and I’m sure he was  thinking that he would rather be alone in a dark corner with only her than parading around a bar with the two blondes, fetching wine.  We searched for the hope of an empty table.  Two men were also watching tables, looking for their own.  This could be a fight to the death.  And Shawna and I are professionals at hailing cabs and plucking the last shoe off the sale rack.  We would win this race, no problem.  And we did, with the assistance of the two men.  

Now it seemed that we had a couple and three candles.  

Shawna excused herself with Peter.  Isn’t the guillotine the method of execution in France?  The grim reaper herself in skeleton costume led poor Peter to his death.  But, let’s face it.  He had become a bore.  She returned with a feeling of freedom and perhaps a little sadness, but ready to chat with our new friends. 

After a few drinks, it was time to leave.  Shawna had seen few hours of sleep the night before, so she had hit the proverbial wall of exhaustion.  Not to mention that it was 3am.  The trip was coming to an end.  The sun was rising somewhere over Paris, and the hours were limited.  

The next morning we packed up and went our separate ways.  I slept dreamily all the way to the airport in the back of the car.  Passing through airport security, I found myself alone in the business lounge, missing my friend and already missing Paris.  I laughed aloud thinking back on stories from the week. Once aboard, Shawna and I texted each other Bon Voyage from our separate planes.  One blonde to California, and the other to New York, these two Wendys were leaving Neverland.  The large plane circled the rooftops of Paris.  I looked down wondering if ever a finer time had been had.  Perhaps, but only by Mr. Hemingway himself I’m sure. 

Apparently, walking the plank to your 40s isn’t all bad afterall.  

Sunday, August 3, 2014

Dolce and Gabbana Couture in Capri: That's Amore!

Sirens Rock in the Bay of Napoli in Capri - where the Odysseus sirens  sang.  Let the seduction begin...
The moon.  Humans have been hunting for the power of the moon for as long as mankind existed.  Perhaps it's the unattainable that drives us to bay at certain times of the month, or perhaps it's the pureness of its beauty on any given night that begs us to look up and see its shape.  The moon protects us, haunts us, inspires us and enlightens us.  No wonder one of the most famous songs of the world is centered around the moon:  That's Amore.  I remember the scene from Moonstruck when Cher's character finally gets that she's truly in love with Nicolas Cage's character.  Was the moon to blame?  I had my own pizza pie moment this summer.  Only this time I fell in love with Dolce and Gabbana.


It's hard to explain how a couture fashion show looks when it takes place nestled in the rocks of the famous La Fontelina beach club overlooking the water.  How there was not the usual paparazzi that swarms the event hunting for celebrity.  How being nestled in the rocks of beautiful Capri could be the place of such extreme beauty.
The first dress off the boat with gold crown
I sat with friends on the front row wearing a 1950s Vintage dress by Edith Small (from the most amazing LILY et Cie in Los Angeles) and flats - the dress code had been 50s60s Italian Riviera La Dolce Vita.  I objected to the idea of flats at first, but once I walked the hundreds of cobble steps down I was thankful.  Plus even Anna Wintour wore Tods loafers… Opera tenor arias started as these small boats approached the cliff very close to where we were sitting.  And then the BAREFOOT models - in glorious hand-painted gowns - one by one disembarked and walked the non-existent runway around the rocks.  It was the most stunning moment in fashion I've seen. 


All of the jewelry was real - no costume here
After the gowns exited, the other models came from a more modest entrance.  But the clothes were equally as exciting and beautiful.  I don't think my jaw ever closed.  




Lynx in Capri - let the furs begin
I tried this fur vest on - beyond beautiful - and taken away from the bloomers, very wearable 
This tunic was sold that night!
Hand-painted striped dresses - I'll be looking out for these in ready to wear  for resort
Hand-painted be-jeweled umbrella with mink handle - luxe
Black did make the runway a few times...
Capri lemons and fur - quite the combination

 And then there was the finale.  Stefano and Domenico greeted the ball gown to final walk only to have models start climbing the rocks to position themselves against the cliff of Capri, fortified by beauty and pride.  Such dramatics could never have been repeated anywhere else.  This was a happening.  This was Dolce and Gabbana. 
Dolce and Gabbana take their bow
The collection against the formidable rock of Capri
After the show we were all to be seated for dinner.  This took a bit of time as the Italians may not quite be known for their organization.  I sat with a friend on the lower level of the restaurant close to the sea.  I had no idea that I would revisit this spot several times over the next two weeks of my vacation.  Darkness set in and the moon lit up the sky.  A stupendous, bright, large full moon.  Did they plan this whole event around the timing of this spectacular moon?  I wouldn't doubt it.  More boats came in, this time lit up with fairy lights and what looked like a bridal party.  Oh yes, the Dolce and Gabbana Bride! And then the fireworks.  And the moon.  And friends.  And music.  


Stefano and Domenico wave to their bride

I'm not sure if the moon put a spell on me that night or not, for I have never been a huge lover of Dolce and Gabbana.  But I will tell you that I most certainly fell in love that night.  Spending time in Capri, ensconced in its smells, its colors, its food, its beaches, its people made me truly understand the vision and the passion of what Dolce and Gabbana put into this collection.  I left humming Vita Bella and having the excitement of soon taking a piece of Capri with me to Los Angeles.  That's Amore.  



Wednesday, May 14, 2014

Inside The Met Gala 2014 Zoo: Charles James Beyond Fashion


The 2014 Metropolitan Museum Constitute Gala was a stunner.  The exhibition is dedicated to the dresses of Charles James, an English-born designer who moved to New York in 1940.  This year was the year for the artistry of couture, the glamour of fabric, and the power of the female form.  
Giant rose sculpture of James figure with de-constructed dress 
Wearing Alexis Mabille couture: corseted bustier with skirt in white silk jersey and grey satin jacket
The Vogue greeters
THE EXHIBIT







Cocktail hour with velvet sofas, champagne and the beautiful Met Museum
Co-Chairs Sarah Jessica Parker and Bradley Cooper introduce the evening  
One of the perks of a Friends of the Costume Institute corner table,  the "backstage" view
The room was filled with gardenias, including table top
Frank Ocean performed with an all female orchestra in top hats 
After party at the Boom Boom room at The Standard Hotel
Best date ever!  With Alexis Mabille leaving the after party
Though The Met Gala has become a zoo of celebrities and hype, this exhibition is truly worthy.  The intricate detailing of these dresses is inspiring and transcendent.  My hope is that all of the press and chaos that now surrounds this event actually bring into the museum the hoards of people who pour over the fashion and glamour of it all.  This is a world-class museum with the most amazing collections and exhibitions, and I only can hope that the art does not get lost in the crowds.  

Wednesday, April 30, 2014

A Life of Privilege

The art of Eric Buterbaugh never goes unnoticed.
(Photo courtesy of Stefanie Keenan www.stefaniekeenan.com)
I live a privileged life, and I always have.  I was privileged to attend an elementary school where music and art were just as important as math and reading.  It was a privilege to attend a public fine arts high school where I studied chemistry and English literature but also studied dance, acting, art and music practically in one day.  I was privileged to attend an all woman's college to focus on political science and dance and acting.  It has been a huge privilege to have every one of my education experiences filled with academics and arts.  And it is the blend of the two together that made those experiences so special, so challenging and so memorable.

Last evening I had the privilege of hosting a dinner for P.S. Arts at my home in Los Angeles.  I recently joined the Board of Trustees to this incredible organization, and it is most certainly my privilege to be even a small part of what they do.  Public schools in Los Angeles and throughout California have lost almost all their arts education funding.  P.S. Arts provides professional art teachers of all genres in underserved elementary schools throughout the Los Angeles area.  These teachers from P.S. Arts work in the schools all day, all year.  Reaching poverty level students who would never have a chance to take a ballet class, learn a music scale or hold a paint brush to canvas, P.S. Arts is enhancing the lives of over 15,000 children each year.  I urge you to take a look at the facts of what P.S. Arts is doing and the impact that arts education has over students (http://psarts.org).  And P.S. Arts is truly a map for how to bring arts education into your own community: arts education, a privilege that should be allowed to every child in the United States.  

And what a beautiful night we had as the skies shone down upon us to celebrate and learn more about P.S. Arts and its endeavors.  I am beyond grateful for my parents giving me the gift of arts education in my life, and I was surrounded by people who feel the same.  That was a privilege indeed.  

Hubs with the man that makes it happen, Patrick Herning, and the reason I have the privilege of being involved
(Photo courtesy of Stefanie Keenan www.stefaniekeenan.com)
Our guest speaker and former student Allison Luengas with Mort Gleberman, Rona Sebastian, Krsten Paglia (Executive Director) and Jennifer Leitch
(Photo courtesy of Stefanie Keenan www.stefaniekeenan.com)
My mentors!  Maria Bell (President at Large) and Joshua B. Tanzer (Chairperson of the Board)
(Photo courtesy of Stefanie Keenan www.stefaniekeenan.com)
The amazing staff with Executive Director, Amy Shapiro
(Photo courtesy of Stefanie Keenan www.stefaniekeenan.com)   
The ladies that make it happen:  Julia Sorken, Pamela Bergman (Immediate Past Chair), Leslie McMorrow and
Maria Bell
(Photo courtesy of Stefanie Keenan www.stefaniekeenan.com)
Delta Airlines has been an important part of this year as well.  Beyond a corporate sponsorship, they also sponsored the dinner including an elegant menu from their Executive Chef and a wine pairing by their Sommelier for International travel.  My vegan plate was fresh, beautiful and tasty; and I have two new wine favorites:  Ramey Ritchie Vineyard Chardonnay 2008 (we were told to taste it in ten years) and Copain Pinot Noir "Les Voisins" 2011.  
(Photo courtesy of Stefanie Keenan www.stefaniekeenan.com)



Tuesday, March 25, 2014

Modern Women meet Tea and Morphine: Women in Paris

I attended an all women's college, Converse College, in Spartanburg, SC.  This school opened in 1889 when women had as few rights and choices as African Americans at the time.  I started my freshman year in 1989 - one hundred years later.  Then, I had no real understanding of what being a woman entailed, what hurdles I would face later in life.

I found the beautifully eerie exhibition at The Hammer Museum, Tea and Morphine: Women in Paris, 1880 to 1914, to be especially poignant.  Focusing on morphine use during La Belle Epoch is quite mesmerizing, but focusing on women's use during the time is both alluring and sad.  I learned that women were the majority of morphine users, while most of the artists during the time were men depicting these women.  There is only one female artist in the exhibition, Mary Cassatt; her Tea drypoint of a woman listlessly drinking tea in her own self-induced haze.  The connection between suffering prostitutes and high society ladies is clearly drawn, and it's something for us all to consider as women.  Class only separates us with brick and mortar.
Profil de lumière (Profile of light) 1886
Odilon Redon
Au bar (At the bar) 1897
Georges Alfred Bottini
*society ladies at the bar - something most of us can relate to
Ces dames des chars a l'hippodrome 1883-85
The ladies of the chariots at the hippodrome
James Tissot
*an image of the "modern woman" wearing headdresses similar to our own Lady Liberty by
Frederic Auguste Bartholdi
Mary Cassatt in the Louvre Museum of Antiquities 1879-80
Edgar Degas
Tea 1890
Mary Cassatt
*I just love the depiction of Cassatt by Degas compared to Cassatt's depiction of a woman having tea,
 stoned in her own world
Rayons de chaussures (The shoe department) 1895
Hermann-Paul
*unfortunately this shop girl and many like her could not afford to live on their wages alone, so often they doubled as prostitutes - this unknowing wife engages with the shop girl as she is most likely making another "sale" with the husband.  again, the line of class divided in such a sad way for women.
The Moulin Rouge 1895
Eugene Delatre
*the forlorn prostitute on the streets of Paris in the rain
Morphinomane (Morphine addict) 1897
Eugene Grasset
*perhaps the most gruesome of the show, a woman numbing herself for reasons unknown - most likely a prostitute blocking the reality of her life.  at the time morphine could be smoked, drunk or injected
Now, at 42 years old with an almost 12-year-old daughter, I am only beginning to understand the importance of women's relationships.  Not only about fun, shopping and gabbing (though those things I most certainly do appreciate), women need to support one another no matter the differences we have.  While mildly down after seeing the exhibition (even with the lovely pastel walls and serene quality to the gallery), I was also inspired.  Inspired to understand that we as women should respect and support.  And I had a true realization of how far we have come as women and how much further we have to go in regards to the treatment of our own gender.  La Belle Epoque, The Beautiful Era, may not have been as beautiful as we think.  I look forward to our own era of true equality for women and watching our daughters enter a truly beautiful world.  Shoes and all.